153 Obispo St. on the corner of Mercaderes St., Old Havana ,
Havana, Cuba
(+53) 78609529
yes
About
Ambos Mundos
Much is made of Ernest Hemingway’s predilection for staying at the Hotel Ambos Mundos. He wrote the first few chapters of ‘For Whom the Bell Tolls’ in room 551, which is now maintained as something of a shrine.
The rooms are comfortable and this also applies to the ground floor bar area, with its cosy, squishy modern sofas. The roof terrace has great views of the Plaza de Armas and environs; for the main advantage of staying in the Ambos Mundos is proximity to all the best and most beautiful parts of Old Havana.
Clients can derive a warm philanthropic glow from the fact that since the hotel is run by the Office of the City Historian of Havana through its company called Habaguanex. All its profits are reinvested in the restoration of the city’s historical centre.
From 15th June 2014 the Hotel Ambos Mundos will start renovation on their 5th floor. All rooms on this floor (including Ernest Hemingway’s museum room) will be closed. The renovation will last for at least 6 months.
Carretera de La Cabana, Habana del Este
San Carlos de La Cabaña Fortress
The vast Fortaleza de San Carlos de la Cabaña, known as ‘La Cabaña’, running beside the harbor, was constructed after the English capture of Havana in 1763. The largest of the military structures built by Spain in the Americas, this fortress was completed in 1774 and its presence formed an effective complete deterrent against the country's enemies. The polygon, occupying an area of around 10 hectares, consists of bastions, ravelins, moats, covered walkways, barracks, squares and stores. It is impressively well preserved, and the gardens and ramparts are romantically lit in the evening. This fortress hosts the spectacular nightly ceremony of El Cañonazo de las Nueve (cannon fire at 9), the firing of a cannon that marked the closing of the city gates, one of Havana's longest-held and most attractive traditions.
Carretera de La Cabana, Habana del Este
Tres Reyes del Morro Castle
Perhaps the most iconic of all Cuban fortresses. Its construction began in 1589 and was completed in 1630, playing a key role in the defence of Havana against raids by corsairs and pirates. When the English attacked and captured Havana in the year 1762, the castle was damaged and later as soon as Spain took power again it was rebuilt and modernized. A lighthouse was added to the Morro in 1764. Standing 45 metres above sea level, it has become an unmistakeable symbol of Havana.
Calle Inquisidor e/ Muralla y Teniente Rey, Habana Vieja
Old Square
The neighbors of the town insisted to the town council on the need to create a new public square for their amusement. In 1587, the town council decided to use as a public square the area behind the Convento de San Francisco, which was being built at the time. During the latter decades of the 16th century, this square was called the Plaza Nueva (new square), but from the 18th century onwards, once the Plaza del Cristo had been built, it began to become known as the Plaza Vieja (old square). The most remarkable feature of this square are the buildings around it, with their unquestionable historical and artistic importance of having been the blueprint for a style of architecture which, along with certain developments, subsequently spread throughout the city and characterised the Cuban architecture of the 18th century.
Tacon e/ Obispo y ORelly, Habana Vieja
Palace of the Captains-General (City Museum)
Currently the venue of the Office of the Historian of Havana, the palace was built in 1776 and has been given several functions: official residence of the Spanish governors of the island from 1781 to 1899 and of the presidency of the republic from 1902 to 1920. The City Museum currently occupies part of the sumptuous halls with permanent exhibition of arts and history of the colonial times and of the beginnings of the 20 th century. The museum exhibits valuable treasures such as: the first Cuban flag, personal effects of the heroes of Cuba: Jose Martí, Máximo Gómez and Antonio Maceo together with a priceless collection of colonial furniture, carriages and other works of art.