Perhaps the most iconic of all Cuban fortresses. Its construction began in 1589 and was completed in 1630, playing a key role in the defence of Havana against raids by corsairs and pirates.  When the English attacked and captured Havana in the year 1762, the castle was damaged and later as soon as Spain took power again it was rebuilt and modernized. A lighthouse was added to the Morro in 1764. Standing 45 metres above sea level, it has become an unmistakeable symbol of Havana.

La Bodeguita del Medio is a must-visit, typical restaurant of Havana, and one of the most attractive tourist spots. Old Havana has been frequented by countless visitors, from well-known writers like Ernest Hemingway to important politicians. Its interior offers a typical Cuban atmosphere, as well as excellent music, Creole cuisine (slow-roasted pork, ropa vieja, black beans, yucca with mojo, tostones, arroz morro, etc) and a fantastic typical drink like the mojito. Following the initiative of Leandro García, a journalist who signed the restaurant’s wall, all famous people who visit the place do the same. They leave a memento there in the form of a print, a picture, an object, or some graffiti; it is even possible to find the signatures of some historical figures, like Salvador Allende, Ernest Hemingway, or Pablo Neruda. You can’t miss your chance to visit this place on your way through Habana Vieja. If you don’t book a table in advance you won’t probably have another chance to get one, but you will for sure enjoy an incredible atmosphere surrounded by Cuban history.

The Museo de Arte Colonial (Colonial Art Museum) is housed within the oldest construction in Old Havana, the Condes de Casa Bayona Palace, a mansion rebuilt in 1720 by Cuban Governor, Don Luis Chachón. The palace’s Classical patio and coffered ceiling made intricately of wood stand out within this construction. The palace boasts a wonderful location, right in front of the San Cristóbal de La Habana Cathedral. This small museum has a Colonial furniture and decorative art exhibition, amongst which will stand out some pottery with Colonial Cuba motifs, as well as several scenes of Colonial dining rooms and a fantastic collection of ornamental flowers.

The neighbors of the town insisted to the town council on the need to create a new public square for their amusement. In 1587, the town council decided to use as a public square the area behind the Convento de San Francisco, which was being built at the time. During the latter decades of the 16th century, this square was called the Plaza Nueva (new square), but from the 18th century onwards, once the Plaza del Cristo had been built, it began to become known as the Plaza Vieja (old square). The most remarkable feature of this square are the buildings around it, with their unquestionable historical and artistic importance of having been the blueprint for a style of architecture which, along with certain developments, subsequently spread throughout the city and characterised the Cuban architecture of the 18th century.