Hotels - Palacio O'Farrill

About  Palacio O'Farrill

The Hotel Palacio O’Farrill is a terrifically grand neoclassical mansion standing on the corner of Cuba & Chacon Streets near the port of Havana. Its owner, Don Ricardo O’Farrill y O’Daly, made his fortune in the slave trade, & owned several large sugar mills. The entrance hall of his house is almost ludicrously impressive, with a toweringly high ceiling, & vast iron-studded polished mahogany doors. Also not to be missed, are two small but elegant black marble seats in the hallway or the idiosyncratically double-scrolled archway leading into the courtyard.

The general aesthetic of the O’Farrill is Cuban colonial; Hibernian it is not, but as if to rectify the situation the colour green has been applied with a liberal hand throughout the establishment. On occasion enthusiasm for the Emerald Isle seems to run amuck, such as in the stinging viridian in the stained glass fanlights & the startling lime-green walls of the sitting rooms in the suites.

The faces of visitors drinking pre-lunch cocktails in the courtyard also acquire an interesting hue from the greenish tinge of the canopy which shades them from the sun. However the restaurant and snack bar break with the chromatic norm, & the latter, decorated in mahogany with terracotta furnishings, proves welcomingly cool relief after a morning of sightseeing in what can sometimes feel like the blast furnace, albeit the very picturesque one, of Old Havana.

A particularly attractive feature of the Palacio O'Farrill building is the way in which the mahogany detailing has been left unpainted, being simply varnished to show the beauty of the wood. Throughout the building there are pieces of good old Cuban furniture as well as numerous reproductions, but the latter are so well made in exact imitation of traditional pieces that the overall impression is one of pleasing visual harmony.

 

Carretera de La Cabana, Habana del Este

Tres Reyes del Morro Castle

Perhaps the most iconic of all Cuban fortresses. Its construction began in 1589 and was completed in 1630, playing a key role in the defence of Havana against raids by corsairs and pirates.  When the English attacked and captured Havana in the year 1762, the castle was damaged and later as soon as Spain took power again it was rebuilt and modernized. A lighthouse was added to the Morro in 1764. Standing 45 metres above sea level, it has become an unmistakeable symbol of Havana.

San Ignacio y Empedrado, Habana Vieja

Cathedral Square

The sumptuous Cathedral Square isthe focus of Old Havana life. Of particular interest in the Cathedral Square are the Cathedral, a baroque church, and the Museo de Arte Colonial, housed in a handsome pal­ace dating from 1622. Tourists linger at El Patio’s outdoor café, sipping coffee or mojitos and tapping their toes to Cuban son.

Tacon e/ Obispo y O'Relly, Habana Vieja

Arms Square

Plaza de Armas surrounds a statue of the patriot Céspedes and is ringed by shaded marble benches and second-hand bookstalls. This square, founding in 1519, was the city's first open space, around which the most important political, military, religious and civil institutions were located. The palaces that surrounded it during the 18th century are worthy exponents of Cuban Baroque architecture. On the square’s eastern side a small neoclassical temple, El Templete, marks the spot where the first Catholic mass was celebrated in 1519. Next door is one of the city’s most luxurious hotels, Hotel Santa Isabel. To the north, the squat but angular and moated Castillo de la Real Fuerza (Fort of the Royal Forces) is one of the oldest forts in the Americas.  

Calle Inquisidor e/ Muralla y Teniente Rey, Habana Vieja

Old Square

The neighbors of the town insisted to the town council on the need to create a new public square for their amusement. In 1587, the town council decided to use as a public square the area behind the Convento de San Francisco, which was being built at the time. During the latter decades of the 16th century, this square was called the Plaza Nueva (new square), but from the 18th century onwards, once the Plaza del Cristo had been built, it began to become known as the Plaza Vieja (old square). The most remarkable feature of this square are the buildings around it, with their unquestionable historical and artistic importance of having been the blueprint for a style of architecture which, along with certain developments, subsequently spread throughout the city and characterised the Cuban architecture of the 18th century.

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